By Janneken Øverland, in Bokmagasinet, Norway, June 2019
There are no knives in the kitchens of the city is the brilliant, depressive, rolling and falling history of a family  from Aleppo starting in 1960 to 2000.

A review by Financial Times, May 10th 2019
Despite its relentlessly bleak subject matter, Death Is Hard Work is intensely readable. As the pages turn, one is impelled to keep up with the al-Salim siblings as they race against time…  

A review by Hisham Matar, for The Guardian, May 11th, 2019
Set three years into the Syrian civil war, the novel’s plot is compellingly simple. Bolbol, the deeply sensitive and conflicted protagonist, has just lost his father. He gathers his two older siblings, Hussein and Fatima, to help him honour their father’s last wish – to be buried in Anabiya, the family’s ancestral village, about 350km north of Damascus. Ordinarily, the journey would take under five hours; if it weren’t for the sad occasion it would be a pleasurable drive, with …

The Herald, by Alastair Mabbott, published March 16th, 2019
In a Damascus hospital, Abdel Latif breathes his last, his dying wish that his body be laid to rest alongside his sister Layla in their hometown of Anabiya. Normally Anabiya would only be a two-hour drive away, but in a Syria devastated by war Abdel’s children Bobol, Hussein and Fatima face an uncertain journey, with no idea what obstacles and dangers might lie in wait.

A review by Elliot Ackerman for The New York Times Review of Books, published February 26th, 2019
How many times can you read about barrel bombs falling on civilians in Aleppo or Islamic State execution squads or sarin gas attacks before the sheer quantity of incidents denudes each of meaning? The facts, devoid of a narrative, lose their weight. That’s the power of mass violence: its ability to transform specific loss into general loss, numbing our collective consciousness. This is why novelists like Khalifa are so critical in these times. They …

Review by Olivia Snaije, for The National, February 25th, 2019

Khalifa, who lives in ­Damascus and has remained in Syria throughout the war, tells The National that the inspiration for his novel came from a personal experience. “In 2013, I had a heart attack and I was in the hospital and I thought about what would happen to me and my family if I died,”