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[18 Sep 2019 | No Comment | 100 views]
The National, about Sinan Antoon’s “The book of collateral damage” : “Formally daring, stylistically inventive” “It challenges but it also impresses and enthrals”

Read The National’s review (2019)
In Antoon’s latest novel, The Book of Collateral Damage [aka Index], the Iraqi author returns to the subject of the Second Gulf War…
But Antoon is too good a writer to simply retread old terrain. For this, his fourth novel, he explores new ground by depicting turmoil and carnage through a series of richly diverse second-hand sources.

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[10 Jul 2019 | No Comment | 76 views]
NPR features Sinan Antoon’s “Index” (aka The book of collateral damage)

Bo Hamby and Simone Popperl produced and edited this interview for broadcast at NPR. Patrick Jarenwattananon adapted it for the Web.
The novelist and poet Sinan Antoon grew up in Baghdad, Iraq — a city that’s known many years of sorrow.
He was born to an Iraqi father and an American mother, and lived there until 1991. That was the year of the first U.S. invasion of Iraq, when he hid in the basement of a restaurant as U.S. bombs fell.
Antoon later moved to New York. But after the United States bombed …

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[3 Jul 2018 | No Comment | 95 views]
Philip Jenkins of The Christian Century calls Antoon “a Star of modern Arab fiction”

Published by Philip Jenkins for The Christian Century, June 29, 2018

Sinan Antoon is a star of modern Arab fiction, a multiply honored novelist whose books address critical questions of identity, memory, and history. He has an Iraqi Christian background but teaches at New York Univer­sity—a dislocation that resembles that of so many Middle Eastern Chris­tians in recent years. Antoon’s most recently translated novel, The Baghdad Eucha­rist, offers Westerners an unparalleled opportunity to understand these events. The book traces the historic catastrophe that has overcome—and is now uprooting—one of the world’s oldest Chris­tian communities.

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[21 Mar 2018 | No Comment | 101 views]
Sinan Antoon “Fifteen years ago, America destroyed my country” – New York Times OpEd contribution

This original contribution by Sinan Antoon was published on March 19th, 2018, in The New York Times.
When I was 12, Saddam Hussein, vice president of Iraq at the time, carried out a huge purge and officially usurped total power. I was living in Baghdad then, and I developed an intuitive, visceral hatred of the dictator early on. That feeling only intensified and matured as I did. In the late 1990s, I wrote my first novel, “I’jaam: An Iraqi Rhapsody,” about daily life under Saddam’s authoritarian regime. Furat, the narrator, was a young college …

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[27 Sep 2017 | No Comment | 290 views]
Antoon’s “The pomegranate alone” wins the Arab World Institute-Lagardere award for Arabic literature – while Khalifa’s “No knives” gets a special mention

The prize for Arabic Literature was created in 2013 by the Foundation Jean-Luc Lagardère and the Arab World Institute in Paris. The 10,000 euros prize rewards one author (national of a state member of the Arab ligue) of a literary work written or translated into French. The prize will be awarded on October 18th in Paris, by former minister of culture Jack Lang during a ceremony that takes place at the Arab World Institute.

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[31 Mar 2017 | No Comment | 420 views]
Sinan Antoon’s Ave Maria is out from Hoopoe! A first review by The National – “A novel of rare brilliance”

The National, March 29, 2017
he Baghdad Eucharist is a short read but one that lingers long in the mind due to its characters’ candid testimonies. Antoon entrances with both his lavish set-pieces and tight thumbnail sketches. Maha’s miscarriage, together with Youssef’s doomed love affair with a Muslim girl 20 years his junior, show suffering of a different kind. Antoon also manages to convey Youssef’s anguish at the felling and burning of Baghdad’s date palms – “so that the Americans can see the snipers and the snipers can see them”.