Published by World Literature Today, September 2017
Sinan Antoon’s novel, Baghdad Eucharist, translated by Maia Tabet, originally published in Arabic by Al-Kamel Publishers and shortlisted for the International Prize for Arabic Fiction in 2013, is a visceral yet poetic novel about the Iraqi diaspora.

Published by Asian Review of Books, May 13, 2017
Baghdad is not a city readily associated with Christianity. Nevertheless, a small (and shrinking) community lives there. This brief but resonant novel describes the discrimination and abuse they suffer for their faith as well as offering an important insight into how intolerance (of any religion or lifestyle, not just Christianity) can escalate into violence and even war.

Published by Qantara, June 7, 2017
In his novel ″The Baghdad Eucharist″, Iraqi author Sinan Antoon probes deeply into the nature of loss and its impact on collective memory. Intertwining two distinct threads, he teases the reader to reach a conclusion about a community on the edge. Marcia Lynx Qualey read the book.

This original contribution by Sinan Antoon was published on March 19th, 2018, in The New York Times.
When I was 12, Saddam Hussein, vice president of Iraq at the time, carried out a huge purge and officially usurped total power. I was living in Baghdad then, and I developed an intuitive, visceral hatred of the dictator early on. That feeling only intensified and matured as I did. In the late 1990s, I wrote my first novel, “I’jaam: An Iraqi Rhapsody,” about daily life under Saddam’s authoritarian regime. Furat, the narrator, was a young college …

The National, March 29, 2017
he Baghdad Eucharist is a short read but one that lingers long in the mind due to its characters’ candid testimonies. Antoon entrances with both his lavish set-pieces and tight thumbnail sketches. Maha’s miscarriage, together with Youssef’s doomed love affair with a Muslim girl 20 years his junior, show suffering of a different kind. Antoon also manages to convey Youssef’s anguish at the felling and burning of Baghdad’s date palms – “so that the Americans can see the snipers and the snipers can see them”.

By Farid Farid, for The Guardian, March 2015
“How do you write about a country that is disintegrating?” says Sinan Antoon, on the line from his office at New York University. His words have taken on a more affective valency in recent days, as the notorious militants from Islamic State (Isis) released footage showing the graphic destruction of Assyrian and Akkadian artefacts in Mosul’s central museum.