The National, March 29, 2017
he Baghdad Eucharist is a short read but one that lingers long in the mind due to its characters’ candid testimonies. Antoon entrances with both his lavish set-pieces and tight thumbnail sketches. Maha’s miscarriage, together with Youssef’s doomed love affair with a Muslim girl 20 years his junior, show suffering of a different kind. Antoon also manages to convey Youssef’s anguish at the felling and burning of Baghdad’s date palms – “so that the Americans can see the snipers and the snipers can see them”.

Translation by Marilyn Booth.
“Hoda Barakat’s THE KINGDOM OF THIS EARTH turns to the history of Lebanese Maronite Christians, from the Mandate period to shortly before the outbreak of the Lebanese Civil War in the mid-1970s. This scene, occurring very early in the novel, precedes a tragedy that will mark the family at the centre of the story, whose history of village pre-eminence puts them at the centre of local rivalries around class, land ownership, water rights, and gender politics. The ancestral past remains part of the present, as the children …

In her blog lecturer Ashleen Williams explains why she has adopted Khalifa’s book in her class:
This fall I’ll be assigning No Knives in the Kitchens of this City by Khaled Khalifa for Honors 101 – “Self, Society and Identity.”
This is probably the best piece of literature I’ve had the chance to read in the last 6 or so months, and in my quest to assign my students readings from outside a western perspective, this is the obvious choice.

Marianne Payot, for L’Express
Published on March 5, 2017
Sinan Antoon brushes off the superb portrait of a man carried away by the maelstrom of the Middle East and raises the veil over Baghdad.
It is the story of a broken destiny, that of a young man who wanted to become a sculptor and who ends up washing the dead. Like his father and all his ancestors before him. A craft that knows no respite in contemporary worn torn Iraq.