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[1 Apr 2016 | No Comment | 122 views]
Khaled Khalifa “Syria is more than the image of a drowned child”

Below is an excerpt of a piece Khaled Khalifa wrote for Corriere della sera, March 2016
During my trip from Damascus to Boston, I found myself reflecting on Syria, giving it one last look. I imagined it calm, and strong; it made me think of so many things. Before leaving it for a whole year, I needed to express all these feelings. I am convinced that, despite the huge amount of destruction, Syria, my country, can still elicit an avalanche of positive adjectives.

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[30 Mar 2016 | No Comment | 117 views]
The Point Magazine offers a beautiful analysis of Iraqi literature, featuring Sinan Antoon

Betty Rosen for The Point Magazine, March 2016.
Below a few excerpts. VisitThe Point Magazine‘s website for the full article.
(…)
Of the abundant works of fiction produced by Iraqi writers in the past ten years, Sinan Antoon’s The Corpse Washer and Hassan Blasim’s The Corpse Exhibition are two of the comparatively few to have appeared in English translation. Antoon published his novel The Corpse Washer in Arabic in 2010 and his own English translation in 2013. The Corpse Exhibition, published in English in 2014 in a translation by Jonathan Wright, contains short …

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[21 Mar 2016 | No Comment | 63 views]
Le Nouvel Observateur: Yazbek’s The Crossing “makes her comparable to Orwell”

Gregoire Lemenager, for Le Nouvel Observateur, March 20th 2016
(…) She who until now scanned the gray areas of the good Damascene society in daring novels ( “Cinnamon” tells the homosexual relationship of a bourgeois with her housekeeper), then published “In the crossfire” (Buchet-Chastel, 2012) and collects literary awards that applaud her courage.

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[21 Mar 2016 | No Comment | 73 views]
Liberation draws Yazbek’s portrait and reviews The Crossing, a “Colossal work”

By Jean-Louis Le Touzet, for Liberation, March 20, 2016
Photo credit: Mathieu Zazzo, Liberation
 
Men make war. But a woman, blonde, cat-eyed, 46-year old Syrian of high education was needed to paint Syria’s death. No other brush was ever dipped in as many tears to tell the intoxication of brutality in a country under the yoke of a double punishment: that of a totally deranged regime and that of the unbearable cruelty of fanatical Islamists . To be clear, about Syria, we read everything and read nothing. Rarely such a plunging view of demolition was ever published. This is what this …

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