R A Y A | agency for Arabic literature
On April 24th, the prestigious International Prize for Arabic Fiction was awarded to Ibrahim Nasrallah for his novel “The Second Dog War”, a satirical novel, partly dystopia, partly science fiction, that depicts a not-so-distant grim future.
The novel is entertaining and was for Ibrahim Nasrallah an opportunity to explore uncharted literary territory. While offering a skillful critique of extreme forms of our contemporary consumerism and corruption, Nasrallah also goes over the transformation of a man, the main character Rashed, who goes from an idealistic rebel, to a powerful businessman, ultimately transforming into a …
In a devastated future, Rached, a rebel turned loyal, starts running money schemes that benefit the Castle. Finally in a position of great power, Rached will indirectly cause the Second Dog War, which will lead him to his end.
An illegal emigrant writes a letter to his lover; a torturer on the run writes his mother… 5 letters accidentally linked to each other.
It is a fresh, funny and immensely clever take on what life is like for your average millennial in an unstable corrupt country – where anything is possible, and nothing can be relied upon.
The women of Syria have to fight not only the Regime, or the Islamist rebels; they have to fight the whole of a patriarchal society, including male revolutionaries. Yazbek collects their stories.
Published by Avvenire, March 20, 2018
In his work the Syrian writer can not break away from the tormented city: “Despite everything, mine has never been a country prone to fanaticism: plural identity is an ancient value.”
Published by Il Manifesto, March 28, 2018
The novel about a prisoner’s life, a prisoner of violence but also of the thousand unpardonable compromises that a dictatorship imposes on oppressed individuals. There are no knives in the kitchens of this city (Bompiani, pp. 288, euro 18), tells through the life events of a family in Aleppo the genesis and consolidation of the Assad regime that dominates Syria since the Sixties, describing the internal repression and annihilation, which invites us to reflect on all forms of contemporary despotism.
Published by Ansa Med, March 19, 2018
“We would have liked the government to listen to us, to open up a new path for human rights and a better life, but we were a group of deluded, dreamers: we did not understand that it is not allowed for Arabs to enjoy democracy” . So the Syrian writer Khaled Khalifa spoke of the first hopes of change nourished by the demonstrations in the square of March 2011, then resulted in repression and in the last, tragic seven years of war.
Published by Neue Zürcher Zeitung, May 11, 2018
In a night-black novel Khaled Khalifa carries the dreams of his homeland to the graveA man named Nightingale. He would have to be a singer and a lover fluttering through a scenario of magical realism or an old Oriental poem. Not one, however, to whom the concern for the corpse of his father, who is already decaying, gives the feeling that he is still a creature capable of being found with a little backbone, and not merely “jelly-mass.”
