R A Y A | agency for Arabic literature
“Coup de Théatre”, by Ursula Lindsey, for The New York Review of Books, June 26, 2019
In the spring of 1967, Sa’dallah Wannous, a young Syrian journalist and playwright, was studying theater at the Sorbonne in Paris. That June, after Israel’s victory in the Six-Day War against Egypt, Jordan, and Syria, it gained control of Jerusalem, the West Bank, and Sinai; about 100,000 Syrians were driven from the Golan Heights, which Israel still holds today. It is hard to overstate the psychic and political shock of this turn of events in …
In Stella Maris, Adam has decided to write his story, that of the “New Adam”, which, he would like to believe, starts when he runs away from home at 15, to go as far as possible from his childhood in the ghetto of Lydda (My name is Adam, Children of the ghetto 1), and from his mother Manal. The New Adam is in a painful quest of a restful identity: “I want to become a Jew”, he says. “This is impossible” he is told.
Following the life story of two inseparable friends, Hannah and Zakaria, from the mid 19th to the mid 20th century in Aleppo, No one prayed over their graves, reveals a buzzing, multiconfessional, libertine, tolerant society, coming to grips with the various forms of death.
A detective story set on the background of family and sectarian feuds, The king of India, explores with the right dose of irony, the meaning of attachment to the land.
Insightful and sarcastic, this is the powerful story of a young man diagnosed with leukemia. This debut novel by young Saudi writer Aziz Mohammed tackles modern Arab life.
Bo Hamby and Simone Popperl produced and edited this interview for broadcast at NPR. Patrick Jarenwattananon adapted it for the Web.
The novelist and poet Sinan Antoon grew up in Baghdad, Iraq — a city that’s known many years of sorrow.
He was born to an Iraqi father and an American mother, and lived there until 1991. That was the year of the first U.S. invasion of Iraq, when he hid in the basement of a restaurant as U.S. bombs fell.
Antoon later moved to New York. But after the United States bombed …
By Janneken Øverland, in Bokmagasinet, Norway, June 2019
There are no knives in the kitchens of the city is the brilliant, depressive, rolling and falling history of a family from Aleppo starting in 1960 to 2000.
By Isabella Hammad, for The New York Times, June 22, 2019
Adam Dannoun, the protagonist of Elias Khoury’s powerful new novel, calls himself a child of the ghetto. He does not mean the Warsaw ghetto — although, growing up in the newly established state of Israel, he allows his university colleagues to make that assumption. He means the “ghetto” of the Palestinian town of Lydda, created by Jewish forces who uprooted tens of thousands of Palestinians on a death march in one of the bloodiest massacres of the 1948 Nakba. (That …
A review by Financial Times, May 10th 2019
Despite its relentlessly bleak subject matter, Death Is Hard Work is intensely readable. As the pages turn, one is impelled to keep up with the al-Salim siblings as they race against time…
